Minimalism and mementos

Published June 2, 2010 at 9:28 p.m.
Jamey Morrill's sculptures and 'souvenirs' at Craftland
After 5 Traverse gallery closed in February, crackerjack curator Maya Allison, who was co-director there, lined up a handful of small independent projects and seemed like she might be on her way to starting her own operation before she landed a gig as curator at Brown University's Bell Gallery, which she began this week.

After 5 Traverse gallery closed in February, crackerjack curator Maya Allison, who was co-director there, lined up a handful of small independent projects and seemed like she might be on her way to starting her own operation before she landed a gig as curator at Brown University's Bell Gallery, which she began this week. So the last of these solo projects is an exhibit of curiously unassuming sculptures by Jamey Morrill of Providence at Above Providence Optical Gallery (75 Weybosset Street, through June 12).

NOSTALGIC MONTAGE Buck's Denmark.

Morrill's Larvae (2009) is a group of seven clusters of green plastic soda bottles bound together by webs of red string, like models of molecules. Grid (2008) is a series of eight low structures, like small scaffolding or three-dimensional grids, made from wooden boards striped black and yellow like bumblebees or caution signs. Planks meet perpendicularly or at 45-degree angles. They form little islands across the floor, with white PVC pipes running through them, and almost linking the isolated pieces together.

The works harken back to 1960s Minimalism — though with a brighter palette. They're set right on the floor and made from industrial materials. The sculptures can suggest introductory lessons used to get students thinking about sculptural form and structure: Get a bunch of plastic bottles, lots of thread, and make some art from it. Morrill adheres to Minimalism's practice of focusing on subtle relationships among simple objects, the viewer, and the space they share. And like classic minimalism, it can be difficult, buttoned-up stuff seemingly predicated on the notion that if you concentrate on it hard enough and are worthy, you might discover (aesthetic) transcendence.

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